Independent Films

In just over a year, the idea of easily uploading your home videos or personal creative projects to an easily accessible, popular web destination has gone from “unheard of” to commonplace. The explosion of web video is just another example of the egalitarian appeal of the Internet. If you’re new to the latest craze, here are some of the major players in the world of online video.

What is You Tube?

You Tube is a video social networking site that allows its members (membership is free) to upload their own videos and tag them with keywords so that they can be categorized.

You Tube is probably the best example of just how fast a “social networking” web site can grow. The company was founded in February 2005. In July or 2006 it announced that 100 million video clips per day are being uploaded from the site. It is currently the sixteenth most visited website on the Internet. Many of the uploads have been professional music videos or movie clips or clips from TV shows, and they have had their share of threats and legal action over copyright issues. You Tube is responsive to copyright violations, and has readily taken down copyrighted material when they have received objections.

What is Google Video?

Google has also opened up a video sharing service. They provide an opportunity for registrants to upload personal videos to personal blog sites or web pages. In addition, the Google video service provides a library of music videos, sports clips and movies. The films are usually for sale – Google will tease you with a couple of minutes of the footage and then offer the chance to buy it for fifteen dollars or so; or purchase a “one day pass” for $1.99.

Google posts a “most watched” list of its amateur videos, just as You Tube does. For Google, however, the personal element of video uploading seems to be just an extension of other “personalized” services they offer. The commercial side of their video section provides feeds from AOL, Yahoo and other sources. They have a collection of music videos for which they must have received copyright clearance.

What is Video Online?

Video Online is AOL’s entry into the field. It is more a library, or collection of links to, video from all manner of sources. It is offering “video on demand” which consists of old movies for sale. They offer video in various “channels” and provide a search tool to look for “videos across the web.” They also offer a “Video Uncut” service on their paid tier that has extremely high rankings among web users.

What is BlipTV?

BlipTV is a site for short form videos that provides for user uploading. The website essentially takes control of the material, however, formatting it for a video entertainment website. They are in search of quality short form video; their slogan: Nobody does it shorter!” Clearly, their goal is to bring talent to their site, give them some exposure and gain quality programming in the process.

Independent Video vs. Corporate Programming

You Tube is the one service that was developed with the anarchist approach that drove early Internet creativity. The intent was not to lift copyrighted, professional content but rather provide a platform for all those people out there with video cameras and ideas. Their success has been unparalleled and now, speculation turns to what exactly can be done commercially with a website that draws millions of daily visits.

Much like MySpace, the advertising community isn’t sure what the value proposition is and the founders of the site aren’t sure what commercial application is appropriate for the site. You Tube has struck a deal with NBC to carry selected network programming over their website for periodic downloading; and thus have become one of the initial outlets for online television programming.

Madison Lockwood
http://www.articlesbase.com/advertising-articles/the-explosion-of-video-online-58574.html

Films, film series and film stars all have warranted websites dedicated to them by fans. There seems to be a level of cooperation among film studios and fan sites - at least, the responsible ones. Movie companies recognize the value of Internet exposure and are eager to take advantage of it: that is as long as they feel that the Internet sites are not taking advantage of them.

There are two basic types of film related fan sites, those devoted to actors and those devoted to films. Film sites are generally run or commissioned by the studios as part of the film’s marketing, whereas sites devoted to a particular actor may be more numerous and run the gamut between small, “one fan” operations to “official” sites set up by the actor or the actor’s representation. This is not to say that all film sites are run by studios, as many very successful films or film series have fan sites devoted to them that are completely independent of the studios.

For example, a fan site on Johnny Depp has photos and screensavers along with the standard filmography and biography - and a fairly active fan forum; almost entirely worshipful. Alternately, the studio-run official film site for “Pirates of the Caribbean” is nicely laid out, featuring still photos, trailers and bios on all the actors along with an active - and moderated - forum. The rules for posting: no profanity, no double posting and no insults directed at other posters. In both cases, the movie and the star get excellent exposure, while negative commentary seems limited to “they could had made a great film better if…”

The Issue of Fair Use

Here it’s worth exploring the notion of “fair use” as applied to film clips, audio bites and other representations taken from commercial movie fare. The law that applies to the use of copyrighted material by independent parties is guided by a principal called fair use. This principal holds that limited use of copyrighted material is permissible for the purposes of “commentary and criticism”.

Fair Use is primarily the concern of the private, non-affiliated fan sites. Studio-run film sites use clips without concern, as the studio that owns the clips is running the site.

Fair Use and the Courts

There have been many lawsuits over this issue and many interpretations of the law. Generally, the less material you lift the less exposure you incur. It has also been held that if you are using copyrighted material without a license, you may not take the “heart” of the product you are lifting from. Neither may you compromise the financial rights of the copyright holder; reproducing content in such a way as the rights holder is denied future commercial gain.

Video Segments Online

That said, the Internet is jammed with video segments lifted from movies. Often, you will find a fan site with film excerpts on it that has an advertisement for an upcoming studio release displayed on the page. The studios understand that these fan pages are the best example of targeted advertising that can be found. While the fan page may be about an actor or actress that has no role in the advertised film, nonetheless people who visit the site are going to be reliable filmgoers.

General Fan Sites

One of the interesting sites dedicated to a film series is the Star Wars Library at http://takeoff.to/starwarslibrary. This site contains no film clips, but instead features fan fiction, parodies, photos, fan art, and articles. There’s a fair amount of thoughtful material on the site, and some hilarious pictures as well: for example, the Krispy Kreme donut wedding cake with Luke Skywalker and the Princess on top, nested in satin hearts. The list of fan sites provided in the Library is broken into categories: movies; actors and actresses; rivalries and relationships; and groups and factions. That is a list of fan sites that should meet any need.

Some sites take a broader approach. A site like http://www.thefilmfrontier.com covers multiple franchises, including Star Trek, Star Wars, and the Superman films. The diversity in the site covers the owner’s varying tastes, so it’s not limited to a single film, actor, or even film franchise. The broad umbrella of sci-fi / fantasy applies, but it appeals to a wider cross-section of fans, providing something for anyone interested in the individual elements or all of them as a whole.

Madison Lockwood
http://www.articlesbase.com/art-and-entertainment-articles/movie-buffs-on-the-internet-98575.html

Do you have back pain? Don’t despair. Whether it is sudden or creeps up on you gradually back pain and sciatica can be one of the most distressing, painful and isolating events. I understand. It can affect all areas of your life, is often difficult to explain and is invisible to most people around you. If you have back pain and feel miserable, misunderstood and isolated you are not alone…

Through my experiences with back pain and sciatica I learnt by hard lessons a few ways to negotiate through the mental, emotional and physical maze of back pain which I would love to share with you.

• Consult a healthcare professional over any back pain symptoms that bother you. Don’t suffer in silence. Tackle any issues when they happen and while they are minor.

• No one cares about your back like you do and always remember YOU are in control. Whatever you read, whoever tells you what to do, whatever remedies or treatments and procedures are suggested to you, you are the one who will live with your back. Ask good questions about what the treatment involves, how many treatments you will require, any side effects and the success rate for your condition. If back surgery is suggested make sure you understand fully what any surgical procedures entail and the aftercare required. Ask about all the possible back pain treatment options for your condition before you decide what to do. Ask about back surgery success rates for your condition. Check with your healthcare provider if any medical or surgical procedure is urgent or essential. It is really about communication and working together with your healthcare team. Don’t be a passive patient, be a proactive partner in your back care and treatment.

• Keep pursuing your solution. If one back pain treatment doesn’t work, try another. If you try new products check out the refund policy. If you are having back pain treatments don’t sign up for long contracts unless you know it works for you. It is essential to keep track of what is working and what is not working for you. Ask questions of the professionals and make sure you know how any planned treatments are intended to help you. Most treatments take a while to work and may require time and commitment. It is important to listen to your body, and let that be your guide.

• Never ever give up searching for what works for you.

• When seeking back pain relief it is important to educate yourself about all the possible physical solutions which may be discussed with you. Get as much back pain information as you can find. For many of us a combination of solutions works most effectively. You need to have your physical condition effectively evaluated then listen to your body to see which suits you. Try to get to the root cause of your issues and tackle that along with the symptoms.

• It is also vital when coping with back pain to nurture and protect your spirit and inner core as that will make all the difference in keeping you inspired, motivated and positive. Your mind is very powerful and you can use this to your advantage when coping with back pain. Read inspiring books, listen to motivational CDs, watch great films, enjoy your music, spend time with family and friends, walking on the beach, stroking your dog, meditating…whatever makes you feel happy, healthy, uplifted and content.

• We all have stress in our lives, and being in pain can make stress so much worse and so a vicious cycle begins. If stress affects you consider one of the many stress reduction CDs around to help you control the negative stress.

• It may be the case with back pain that life seems limited and usual activities are out of bounds. Think about or even better write down what you CAN do and do those things. Do not dwell on what you cannot do. Be grateful for everything that is good in your life. Focusing on the negative and what you cannot do makes it worse. Focus on the positive and what you can do.

• For everyday chores that you find difficult think if there is another way to do them. Consider internet shopping, delegate tasks; swap the usual tasks around the family. Move where items you need regularly are kept so you can be independent in getting them. Do a little then take a break, go easy on yourself. If you can, consider buying in some short term help.

• If you have back pain it can also be hard on those who love you. Try to spend a little calm time discussing how you will handle this together and how you can make it easier for yourselves to handle. Communication and understanding is the key here.

• YOU are so much more than your “bad back.” Always remember that.

Back pain is a tough call. You are stronger than you think …and you are not alone.

To find out more information and inspiration about coping with back pain, seeking back pain relief, and possible solutions to help visit: http://www.mypetback.com

David
http://www.articlesbase.com/ecommerce-articles/when-good-backs-go-bad-109311.html

Although Central Florida has never quite lived up to its reputation as “Hollywood East,” many classic – and some extremely medicore – movies have been shot in the Orlando area over the years. The brief list below highlights some of the more notable films that were partly or wholly shot in Central Florida, as well as one cult movie that boasts a significant connection to the Orlando area:

Parenthood [1989] – Directed by Ron Howard, Parenthood starred Steve Martin, Mary Steenburgen, Jason Robards, Tom Hulce, Joaquin Phoenix, Dianne Wiest and Keanu Reeves. Although this comedy/drama dealt with the trials and tribulations of a “Midwestern” family, many scenes were shot in Central Florida, including Orlando, College Park and Altamonte Springs. The birthday scene was shot at the now-defunct Mystery Fun House across from Universal Orlando.

Lethal Weapon 3 [1992] – The building that gets blown up in the opening sequence of the film is actually the old Orlando City Hall building, which had been scheduled for demolition anyway. The rest of Lethal Weapon 3 was filmed elsewhere.

Trekkies [1997] – This hilarious documentary on obsessive Star Trek fans profiled a Central Florida dentist, Dr. Denis Bourguignon, who had opened a “Starbase Dental” office full of Star Trek memorabilia and whose staff wore Star Trek uniforms.

The Blair Witch Project [1998] – Although this incredibly successful independent movie was filmed entirely in Maryland, its director and cast all graduated from the University of Central Florida (UCF). Made for about $35,000, The Blair Witch Project eventually grossed nearly $250 million worldwide.

The Waterboy [1998] – The “Bourbon Bowl” game at the end of the movie was filmed at the Citrus Bowl in downtown Orlando. Many of the extras in the scene were UCF students. The Waterboy starred Adam Sandler as “Robert ‘Bobby’ Boucher Jr.,” as well as Kathy Bates and Henry Winkler.

Monster [2003] – Charlize Theron captured an Oscar as “Best Actress” for her portrayal of prostitute and serial killer Aileen Wuornos, who was executed for a notorious killing spree during the 1980s. Monster, which also starred Christina Ricci and Bruce Dern, was shot entirely in Central Florida.

Larry the Cable Guy: Health Inspector [2006] – Larry the Cable Guy (real name: Dan Whitney) resides in Sanford, Florida, and his film debut was shot entirely on location in Orlando. Judging by the myriad of negative reviews, critics seemed decidedly underwhelmed by Larry the Cable Guy: Health Inspector and a sequel appears unlikely.

In addition, before Disney closed its Central Florida animation studio at Disney-MGM Studios in 2003, a number of animated films were worked on there such as Mulan (1998), Lilo & Stitch (2002) and Brother Bear (2003), among others. The space is now occupied by an attraction called The Magic of Disney Animation, a behind-the-scenes look at the animation process.

“Disney-MGM Studios still maintains a backlot tram tour that takes you past movie sets and props, as well as Catastrophe Canyon, a showcase for state-of-the-art special effects,” said Kyle Collins, Director of Interactive Marketing for HotelsCorp.com. “In addition, both Disney-MGM Studios and Universal Studios feature a variety of rides and attractions based on popular movies such as Indiana Jones Epic Stunt Spectacular, Beauty & the Beast, Star Tours, The Great Movie Ride, Revenge of the Mummy, Men in Black Alien Attack, Back to the Future the Ride and Twister . . . Ride it Out, among others.”

Central Florida is also home to the Florida Film Festival, a 10-day event in early April that features American independent films, foreign films, documentaries, regional and family films, animation, narrative films and midnight movies. Past attendees have included Dennis Hopper, Steve Buscemi, William H. Macy and Oliver Stone. The Florida Film Festival takes place at the Enzian Theater in Maitland.

Ryan Wiseman
http://www.articlesbase.com/movies-articles/lights-camera-action-a-guide-to-film-locales-in-orlando-102432.html

If you are making an independent film on a miniscule budget it is inevitable that some aspect of your movie will be compromised due to your lack of funds. The ultimate challenge for an independent filmmaker working with a shoestring budget is to some how make their movie look and sound like it deserves to be with the big boys on the film festival circuit. While certain things have to be eliminated or kept to a minimum with a low budget film production such as special effects, makeup and lighting it is important to understand that the sound aspect of a low budget movie should never be compromised. Try sitting through a two hour movie that has a constant hum in the soundtrack and you will know what I mean. People will watch just about anything on the screen, but they will not listen to anything that assaults their sense of hearing.

The film industry began as a visual medium in which artists could be seen acting out stories on the silver screen, but in recent decades it would seem that the general movie going public is more interested in the way a movie sounds than the way it looks. Advances in sound technology have moved forward as fast as the advances in film and video technology have, but in the race for which aspect of a film people enjoy the most, sound is in the lead. Here is the proof: if you shoot a film with poor lighting, no costumes, no makeup and no special effects it is considered to be an artistic style of independent filmmaking called cinema verite. You can even scratch up the negative in the name of artistic license and people will still watch your movie. On the other hand, if you add some static noise to the soundtrack of a movie, mess up the lip sync of the dialogue or add errant sounds with no explanation then people will just think you are not an accomplished filmmaker technically. They will shun your movie.

Ever since the first sound movie, The Jazz Singer was made in 1929 on Stage 5 of the Warner Bros. lot in Hollywood the movie going public has been spoiled. They have come to expect that when they see a movie they will not only see life up on the screen but they will also hear it too. There is a certain level of technical quality they expect when they see movie. However, when it comes to hearing a movie, things are quite different: their standards for sound quality are much higher than their standards for visual quality. The eyes have a higher threshold for pain than the ears do, and the brain of a typical human being cannot handle uncomfortable noises for very long. The sound of a movie must be either real or surreal, but it cannot be bad. A film audience will not reject flaws in the visual esthetics of a movie as easily as they will reject a film for its poor sound quality. For instance, if the dialogue tracks of actors voices are too low it brings to the attention of the audience the fact that the actors voices were recorded. This can negatively affect their suspension of disbelief which reminds them that they are watching a movie, and not experiencing real life. It will ultimately affect their opinion of the film for certain.

The sound of a movie can determine whether or not it will be a success. The Star Wars movies owe much of their success to the sound designers and technicians who worked very hard to create alien sounds that complimented the visuals perfectly. They made those movies sound believable, literally, and that is a very hard thing to do in general when it comes to science fiction films.

The tools that are necessary to record, design and mix sound for movies have made great strides in terms of advancements. Only two decades ago there were only a handful of skilled sound recorders, designers, and mixers that provided the sound for movies. This was because the equipment was very expensive to purchase. A person who wanted to do this kind of work for a living would have to invest a large amount of money to buy a vast amount of equipment that filled up a lot of space. You would usually have to rent or buy a place to set up shop. On top of that you would probably have to take classes to learn the skills of sound for films. Nowadays, things are much different. Advances in sound technology have made everything smaller, easier to learn and definitely more affordable. A small, inexpensive digital sound recorder and microphone can now be used to record sound that is indistinguishable from sound that was recorded on a much bigger and much more expensive Nagra reel to reel sound recorder. A good digital sound recording package can be purchased for less than $1500. Also, a person can buy a home computer setup with a sound design/mixing program for under $1000. Twenty years ago you would have to spend about $20,000 to buy comparable equipment. You can even learn the necessary skills using computer program tutorials on your home computer. The best part about is the fact that you can literally do all the sound work on an independent film production entirely by yourself.

If you are planning to make an independent film and enter it in film festivals you should make sure that the sound quality is as good as the best films on the festival circuit. You cannot settle for sub-par when it comes to sound quality. If you do, your audience will notice it immediately and this will cause them to no longer suspend their disbelief. When this happens you can be sure that they will become annoyed and head for the exits.

© 2006 Copyright. Michael Connelly

Michael Connelly
http://www.articlesbase.com/art-and-entertainment-articles/people-just-like-the-sound-of-movies-50691.html

Everyone dreams of that perfect vacation, in an idyllic, stress-free, and clean location, with excellent accommodation and recreational facilities for the whole family. To most people, this scenario remains a dream, an eldorado. To the knowledgeable, it exists in reality. Can you picture in your mind’s eye what the original ‘Garden of Eden’, or ‘Shangri-La’ must have looked like? Then be ready to see the modern one. Welcome to Ojai, a small city in Ventura County, Southern California, USA. A most interesting place to have your next unforgettable vacation, the city has a population of about eight thousand souls.

This town is located less than twenty kilometers from the Pacific Ocean coast in Southern California, and within ear shots of the cities of San Buenaventura, Santa Barbara and Los Angeles. It is about fifteen minutes drive from San Buenaventura, and less than an hour by car from either Santa Barbara or Los Angeles. The location of the city within the valley of the same name, which is surrounded by hills and mountains on two sides, and a river running between, gives it a most scenic beauty.

The valley was given its name by the Chumash Indians who lived in it before it was settled by a Spaniard, Fernando Tico who built a ranch there in 1837. Ojai in Chumash language means ‘Valley of the Moon’. Fernando Tico sold his land holdings to some oil prospectors in 1853. The new land owners built a city and named it Nordhoff. The German sounding city name was changed to Ojai during the First World War in 1917.

The unsurpassed scenic beauty of this area makes it a veritable destination for movie sets and film festivals. The valley was the location for the famous 1937 Frank Capra film, ‘Lost Horizon’, which depicted the mythical utopia called ‘Shangri-La’.

This place is also the home of the Ojai Film Festival, which annually showcases independent films from around the world. The film festival holds every year in mid-summer. The scenic beauty of the area is further accentuated by the superlative efforts put in the environmental development of both the city proper, and its surrounding countryside by the city authorities. As proof of their determination to maintain the town as the ultimate destination for every stressed out big city dweller, and keep the metropolis spotlessly clean, the city council has instituted a two day street cleaning exercise per month. All cars are moved off the city streets and side-walks, while both roads and drains are given thorough scrubbing.

As if to take a cue from the city council, Ojai hotels are a beauty to behold. From the rustic country style cottages to the most modern, elegant, well appointed architectural styles, all hotels are pleasing to view. The interior of each hotel is most comfortable and tastefully furnished. All types of accommodation are provided by Ojai hotels. From the cheap but comfortable single room, to two or more bedroom apartments, right up to suites and condos. Your choice of accommodation is limited only by the size of your purse, or the depth of your pocket. The Topatopa mountains on the north side and the Sulphur mountains to the south, enclose the valley, which is drained by the Ventura River. Every evening, just before sunset, you can watch the surreal beauty of the hallow cast over both valley and city by the brilliant shade of pink on the Topatopa Bluffs. Ojai City is one vacation destination you will remember for a long time after your first visit.

Razvan Marian Jr
http://www.articlesbase.com/destinations-articles/ojai-city-california-an-idyllic-vacation-destination-88954.html

When I set out to make CONSIGNMENT a gripping urban feature that delivers a powerful story. I heard all the cautionary tales about how some movies die horrible deaths at different stages of production. Some before they got off the ground, others fall apart during shooting, and some never make it out of post-production. Nobody sets out to a make a movie and fail.

I listened to the stories of those who went down the independent film road before me to prepare for what was to come. Those with unchecked ego never take advantage of the advice of others. Try not to let a problem ego get between you and making your film. During shooting you will learn humility by the very nature of the filmmaking grind.

Making a movie is not for everyone. It may sound fun and somewhat glamorous in the beginning, but those feelings quickly fade as the amount of work seems to get overwhelming before you even begin to shoot. After a few production meetings and cast rehearsals, some people will drop out of the movie when it becomes clear the time and energy involved. Others will drop out because they landed a bigger part, higher paying gig, or realized your movie was not for them.

That has to be expected. Be prepared to replace cast and crew before you need to. I keep lists four deep for roles and crew positions. It’s not a guarantee to avoid problems considering I had to re-cast one role five times and let two crew members go during CONSIGNMENT, but it helps to have those lists when in a pinch. Or bring on a solid unit production manager with contacts to crew that they work with often and have chemistry with. I was able to hire Cameron Penn (hire this guy, he’s great) for In With Thieves and he handled many of the problems that came up on set. If you have a weak UPM you would have to handle many more of the problems as the filmmaker you might not have to.

On an independent movie shoot, everyone pitches in everywhere. You will have zero time to play hotshot filmmaker. Be sure to check your ego when making a movie. If you expect to sit back while your crew busts their humps and not get your hands dirty you are headed for trouble. Your crew works with you, not for you is they way I see it. I was blessed with two of the best film crews you could get on Consignment and In With Thieves.

When time is against you, which it always will be, shoot what you need to finish the movie. Sure, you want to get that amazing magic hour shot or set up the cool dolly shot. Sometimes you have to choose where to take your creative stand to see your movie get in the can.

Avoid using the phrase, “we’ll fix it in post”, chances are you won’t. Attack shooting like nothing can be fixed in post. Get the best sound and picture you can on the set. You will have enough problems in post to deal with besides your “we’ll fix it in post” calls.

Post-production claims the most victims of movie fatalities I have heard of.

Never under estimate what it’s going to cost you to get through post-production. Running out of money seems to be the most common curse. I know one filmmaker personally that had a $100,000 budget to make their movie. They kept dipping into the post-production funds during shooting to rent really cool equipment they hadn’t planned on. Hey, the dailies looked awesome.

Problem is it’s been 3 years and they still haven’t raised the money to finish the movie. People don’t rent or buy dailies. Getting a movie shot is one thing, getting it done another thing all together. I was fortunate that I was able to complete the feature films Consignment & In With Thieves.

Good shooting. Remember if you learn from a mistake making a movie it’s no longer a mistake. Also when you can please support independent film by visiting websites of filmmakers, buying their films, and being open minded to the content.

Sid Kali
http://www.articlesbase.com/art-and-entertainment-articles/shooting-crime-movies-122915.html

Every year around this time there is a steady drumbeat heard throughout the state of Florida. Hurricanes are coming for sure! Each year we consider he alternatives that might give us some protection against the powerful winds. Our collective memory isn’t so short that we’ve forgotten Hurricane Charlie, Frances, Wilma or Katrina. The Tampa Bay area was fortunate in missing the brunt of these storms, but the small taste of the howling winds left us shaking our heads and thanking God for the hard right hand turn of Charlie. The Bottom line: We all know we need to do something , but just what?

The Window Film business has generally been circumspect when it comes down o overstatements of benefits. The best security films like Vista and LLumar Magnum films have been strenuously been tested at independent labs. These tests indicate that the 8 ML thick films properly installed with a wet silicone sealant around the perimeter can withstand very high winds and an impact from a 4.5 missile shot from a cannon gun. The key is the 8 ML thickness of the film since no window film less than that thickness can pass the test threshold of impact and cycling. Window films , I repeat, WINDOW FILMS like Vista and LLumar Magnum properly installed can protect homes and dramatically limit the flying glass and maintain the structural integrity of the windows These same films reduce high energy costs since they reduce the heat gain by 75% if you select a darker or more reflective film type. These fims reduce the UV by 99.9% . UV is a key factor in Skin Cancer and an obvious destroyer of home furnishings . Window Films slow down an intruder, providing covert 24/7 protection against smash and grab or simply an errant golf ball. Yet the careful window film provider must always be clear that no matter the benefit, despite the most stringent and exact installation properly following the manufacturers guidelines or the International Window Film Associations guidelines, these films are not hurricane proof! The shutter companies that meet the larger missile test criteria of 9 LBS decry any benefit for window film installations. I wonder at the % of homeowners that can afford their product? As a strong believer in window film and the features advantages and benefits I advise consumers that if they can afford to get these expensive shutters they should buy them. The other 364 days of the year my Vta Window Films and LLumar Magnum Films will still be working.

Mike Feldman
http://www.articlesbase.com/ask-an-expert-articles/a-window-film-fight-back-128365.html

Do you love scripting and shooting movies? Do you have a movie that has a spellbinding storyline but not quite sure how to market it? Well, you have probably heard about YouTube.com and their phenomenal success hosting virals on their web site. It started out very small, on a shoestring budget, and grew over just a few years into a business worth millions. Shooting video for fun has been a commonplace global pastime for years. Even back in the 80s there was ‘Candid Camera’, and a host of video clip shows on TV. The clips shown on TV like UK’s ‘People do the Funniest things’ are no more than 1 minute in length. Soon, broadband speeds allowed for the hosting and transmission of these clips on the web. No advertising costs, just a web site with a video clip embedded.

This accessibility has placed virals in the public eye as anyone with a broadband connection can upload a video. The internet is displaying that there is a convergence occurring between the web and television. This gap is becoming thinner each year as Internet TV and virals have become a huge source of public entertainment.

So who is actively involved in online movie production work? Actually, the list is almost exhaustive. There is the exciting iFilm site which reaches a worldwide distribution of film fanatics for just one online example. While scrolling across the internet, looking for evidence of online hosting, many sites emerged helping filmmakers showcase their movies. One of the biggest players is Atom films who organise competitions and also offer promotional services to distributors at film festivals on an annual basis.

Why does this business work?

1. The power of the internet shows its weight by being able to connect filmmakers across the world.

2. The internet allows movies from amateur and independent filmmakers around the world to be seen on web pages. This gives them the ability to share their work with a broader audience.

3. Utilising Movie hosts, video enthusiasts use the internet as a weapon to submit their work to many people on a worldwide level.

This is not just a forum for people who just want to host a short clip, but also benefits the professional filmmaker. This is achieved by beginning the first steps in front of the needed movie production industry contacts. The filmmaker presents movie ideas directly and can talk to people with the same energy on these web sites like Atom Films. Together, they can constructively and collectively criticize their movies in online forums regardless of geographical location. Filmmakers perform networking by attending film festivals and actively engaging in online filmmaking forums like NMD’s forum. The goal is to bring the filmmakers in the film making community closer together so that they can share ideas and present their work to a wide audience – the World Wide Web. Thus this creates a great place to learn and promote film making at its best.

Here are some online businesses other than YouTube that have made their commercial success from hosting video for filmmakers. These are chosen based on their influence and support for filmmakers and their recognition of the diversity in this field.

Atom films http://www.atomfilms.com has progressed from a back room desk to a flourishing global business in just 7 years. It is probably the most successful short movie host and distributor on the web with hundreds of videos in many genres that you can either watch online. Atom films has grown into a site that not only hosts video but also offers distribution services to effective promotional mediums like the international film festivals. There are sections showing the top five movies in each genre according to the ratings selected by the viewer on opening the movie. Thus, this allows for great promotional power for the short movie maker directly from the home page. Registration is very easy and takes just a minute, very important aspect to consider as the web viewer’s attention span is very short. So Atom Films succeeds in bringing the information and video content to the viewer as quickly as possible. There’s nothing worse than a mile long registration form or links that send you round a map before reaching the required information. Visitors to sites like Atom Films want to get their movie hosted and displayed as quickly as possible.

IFilm http://www.ifilm.com/ sports a huge collection of genres, up to the minute trailers, competitions and is a very informative site that is very easy to navigate. There are hundreds of streams a month on this very busy site. iFilm makes heavy use of advertising but it never intrudes on your viewing or tries to force you to watch any of the ads. This is an important consideration since no movie lover likes interruptions or intermissions. I tend to believe that an intermission is an interruption, but that’s me. Most films are no more than 10 minutes in length, and there is a healthy mix comprising amateur and professional productions. You will discover that iFilm has a wide category range. Their most innovative part in my view is how the site with the support of cable channel VH1 has managed to pioneer the first transitions from the internet to TV. VH1 hosts Wen Junk 2, an accumulation of viral videos from the iFilm web site shown on TV. These virals are targeted at anyone with some real creativity. From blundering cam movements to blundering actors, the videos make for a hysterical night in and it is worth watching if you like watching these types of shorts.

CustomFlix http://www.customflix.com/ offers a slightly different and enterprising approach to marketing movies on the web from pros and fledglings. This site offers the full ensemble upon receiving your movie. They will produce an e-store which is a web page detailing your biography and movie details. Additionally, they offer DVD production for offline publishing needs. For a budget, you can be selling your DVD movie on your web page very quickly using their On-Demand DVD service. The only difference is that you can’t upload your movie, it must be sent on DVD or CD to the company, but that’s a fair request on viewing the services on offer. As far as stock is concerned, your movie is available on demand with no inventory costs over a 24 hour period. As the copywriter of Customflix admirably states on the home page:

‘….revolutionary new way to distribute your film and video worldwide.’

The services certainly live up to that statement. Not only will they do all the shipping, but they will take care of the DVD replication on sales for you too. It is an amazing service and one that rivals its competitors with the presentation of the end product being distributed on DVD, and accompanied by a web site for the moviemaker.

The site uses a content driven strategy that allows the download of free guides and also access to professional help. Though, the site doesn’t rely on pure information to draw its customer base, making for a more targeted audience interested in bulk production or viewing. The video shop is the place to look for movies to watch and is a little bit of marketing genius as you choose your selection of movies that you want compiled onto a DVD. Of course DVD can store a whole host of video clips, so you could order many movies in this way. Again, there are both amateur and pro productions to choose from. You will not find ‘King Kong’ or ‘Chronicles of Narnia’ here; this is not a mainstream movie site. It hosts independent productions from filmmakers expressing their talents at a variety of genres. But like the two other sites discussed previously, do not confuse independent with bad quality, the best filmmakers came from short movie production like Steven Spielberg, Wes Craven, and Francis Coppola to name just a few.

So if that does not inspire you, I do not know what will…. Good luck if you are inspired.

Stephen G Davies
http://www.articlesbase.com/movies-articles/hosting-movies-on-the-web-145127.html

Licensing you music into films is a great extra income stream for you as an independent artist. But, as with any other aspect of the music business, you have to go through the learning curve and networking process. My experience with film licensing, just like everything else, revolves around whom you know.

Your first (or tenth) licensing deal probably won’t be the next Hollywood blockbuster, but that’s ok. There are a zillion independent films that need and want your music. No, you won’t be immediately rich and famous from having a song in an indie film, but you will probably get paid, and you’ll get some good exposure. Remember, a good ling music career is not built on one big hit. It’s built on a series of small projects and successes building to bigger ones, and, of course, multiple streams of income.

With that in mind, independent films are a great place to start. So where do you begin? Well, listing sites like Versus Media, Film Music Network, and Taxi are a good place to start, but it’s hard to rely on a steady income from people you’ve never met. Also, something I’ve learned recently from a couple of music supervisors, is that follow up on your package is not required, nor particularly appreciated. So you really are relying on your package and your music being picked out of the pile. However, the listing services will give you access to projects you may not have known about otherwise. They are, therefore, a good investment.

An even better way to hook into independent films is to go out and meet film people. As musicians we tend to get stuck in our own little world. Hanging out with musicians, going to music workshops and events, etc. You must take your product to the people who need it instead of waiting for them to come to you.

A great place to start is Indie Club. This is a worldwide organization of independent filmmakers, actors, crew, and everyone else. Find your local chapter through the IndieClub.com website. It’s free to join. Where I am, San Francisco, we have the country’s largest chapter. Join their discussion list and introduce yourself as a music artist. Go to their meetings and get-togethers. When I went to my first Indie Club meeting, I was one of two music artists in the room. The cries of “We need you!” were not just the voices in my head (this time). That room full of independent filmmakers was looking for good music that they could license and still stay within their budget.

I scored my first licensing deal within an hour. Two songs in the same film, one I’d already written, the other to be written specifically for the movie. My tactic was simple. Ask them about their latest project. They’ll be happy to tell you about it, I assure you. They’ll ask what you do. Tell them, but don’t exaggerate. I explained that I had not yet written for films, but just came to see where I fit in. This particular filmmaker then explained to me that he couldn’t find a particular song for this one scene he was working on. I told him I’d be happy to custom write it for him. And there it was. I was being paid up front to write a song. How much? I received $100 for the new song, $50 for the previously written and recorded one. Like I said, you won’t get rich off of these. But hey, $50 to let him use a song that I’d paid for long ago is free money to me.

For the new song, the director arranged for recording time at the local recording arts school where his sound editor was studying. This was fortuitous, and not necessarily normal. Most other project I have to record myself. Because I kept the copyright for the song (which you should always try to do), I was able to release the new song on one of my future CDs, which put more money in my pocket. There’s that multiple streams of income again. And, as a topper, I was able to perform at the premier and sell more CDs there as well. I got all that just for showing up to a meeting and talking to people. I made a few other deals at that meeting too.

So the moral of the story is to just go where filmmakers are and talk to them. Besides Indie Club, I’m sure there are other film clubs and organizations in your area. Find them and make yourself a part of them. Get to know everyone, and you have your tunes in the movies in no time!

Next time: How to get your music in movies by getting yourself in movies!

Phil Johnson
http://www.articlesbase.com/music-articles/make-money-with-your-music-in-films-just-by-talking-to-people-62307.html